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- First Page
- Title Page
- Copyright and Imprint Information
- Acknowledgements
- Foreword
- Preface
- Stephen A. Wild: A Distinctive Voice in the Antipodes
- Photograph Section
- Festschrift Background and Contents
- Indigenous Australia
- 1. A Different Mode of Exchange: The Mamurrng Ceremony of Western Arnhem Land
- 2. Warlpiri Ritual Contexts as Imaginative Spaces for Exploring Traditional Gender Roles
- 3. Form and Performance: The Relations of Melody, Poetics, and Rhythm in Dhalwangu Manikay
- 4. Alyawarr Women’s Rain Songs
- 5. Singing with a Distinctive Voice: Comparative Musical Analysis and the Central Australian Musical Style in the Kimberley
- 6. Turning the Colonial Tide: Working towards a Reconciled Ethnomusicology in Australia
- Pacific Islands and Beyond
- 7. Chanting Diplomacy: Music, Conflict, and Social Cohesion in Micronesia
- 8. Songs for Distance, Dancing to Be Connected: Bonding Memories of the Ogasawara Islands
- 9. The Politics of the Baining Fire Dance
- 10. Touristic Encounters: Imag(in)ing Tahiti and Its Performing Arts
- 11. Heritage and Place: Kate Fagan’s Diamond Wheel and Nancy Kerr’s Twice Reflected Sun
- 12. Living in Hawai‘i: The Pleasures and Rewards of Hawaiian Music for an ‘Outsider’ Ethnomusicologist
- Archiving and Academia
- 13. Protecting Our Shadow: Repatriating Ancestral Recordings to the Lihir Islands, Papua New Guinea
- 14. The History of the ‘Ukulele ‘Is Today’
- 15. ‘Never Seen It Before’: The Earliest Reports and Resulting Confusion about the Hagen Courting Dance
- 16. Capturing Music and Dance in an Archive: A Meditation on Imprisonment
- 17. Some Comments on the Gradual Inclusion of Musics beyond the Western Canon by Selected Universities and Societies
- 18. Ethnomusicology in Australia and New Zealand: A Trans‑Tasman Identity?
- Publications by Stephen A. Wild
- Contributors
