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menuThe Archaeology of Rock Art in Western Arnhem Land, Australia
- First Page
- Title page
- Copyright and imprint information
- List of figures
- List of tables
- 1. The archaeology of western Arnhem Land’s rock art
- Part A: Archaeology of rock art in northwestern Arnhem Land
- 2. People and fish: Late Holocene rock art at Wulk Lagoon, Arnhem Land
- 3. The rock art of Ingaanjalwurr, western Arnhem Land, Australia
- 4. The agency of artefacts: Socio-ideological functionality and the long-necked spearthrowers of Mirarr Country, northern Australia
- 5. The rock art of Madjedbebe (Malakunanja II)
- 6. Dynamic Figures of Mirarr Country: Chaloupka’s four-phase theory and the question of variability within a rock art style
- 7. How old is X-ray art? Minimum age determinations for early X-ray rock art from the ‘Red Lily’ (Wulk) Lagoon rock art precinct, western Arnhem Land
- 8. Art and megafauna in the Top End of the Northern Territory, Australia: Illusion or reality?
- Part B: Archaeology of rock art on the central-western Arnhem Land plateau
- 9. Postcards from the outside: European-contact rock art imagery and occupation on the southern Arnhem Land plateau, Jawoyn lands
- 10. Engineers of the Arnhem Land plateau: Evidence for the origins and transformation of sheltered spaces at Nawarla Gabarnmang
- 11. Dating painted Panel E1 at Nawarla Gabarnmang, central-western Arnhem Land plateau
- 12. The past 500 years of rock art at Nawarla Gabarnmang, central-western Arnhem Land
- 13. Archaeology of rock art at Dalakngalarr 1, central-western Arnhem Land
- 14. Determining the age of paintings at JSARN–113/23, Jawoyn Country, central-western Arnhem Land plateau
- 15. Archaeology of JSARN–124 site 3, central-western Arnhem Land: Determining the age of the so-called ‘Genyornis’ painting
- Contributors
