On the Frontiers of History
Figure 2.1. Japanese map and accompanying image of peoples of the world, 1671
Figure 2.2. Fifteenth-century map of the Iberian Peninsula
Figure 2.5. The Hereford wall map
Figure 2.6. Abraham Ortelius’s world map, Theatrum Orbis Terrarum, 1570
Figure 2.7. English world map based on Blumenbach’s classifications, 1849
Figure 3.1. Map of Tartary based on de Vries’ voyage, 1682 (Original by Giacomo Cantelli da Vignola)
Figure 3.3. Engraving of a ‘Kamchadale’ woman from Krasheninnikov’s Opisanie Zemli Kamchatki
Figure 3.4. Thomsen expounding the ‘three age’ system, illustration by P Marquardt, 1846
Figure 4.1. Okhotsk culture grave, Abashiri
Figure 4.2. Nivkh drying fish, early twentieth century
Figure 4.4. Ainu with dog sleigh
Figure 4.5. Sakhalin Ainu blacksmiths
Figure 5.1. The Astrolabe and Boussole at anchor off the island of Maui
Figure 5.2. People of Tomarioro as seen by La Pérouse’s expedition
Figure 5.3. Frontispiece from La Pérouse’s atlas
Figure 5.5. La Pérouse’s map of Sakhalin
Figure 5.6. The trading post at Deren
Figure 5.7. Portraits of Sakhalin Ainu ‘Niskani, Aoucanouri and Erougantoi’ of Tomarioro
Figure 6.1. Golovnin being taken prisoner in Japan, c. 1811
Figure 6.2. Prisoners in the Sakhalin penal colony
Figure 6.3. Arsen’ev with Dersu Uzala, 1906
Figure 6.4. A Japanese settlement in the Habomai Islands, c. 1920
Figure 6.5. ‘The Northern Region of East Asia’
Figure 7.1. Traditional Uilta summer houses on the outskirts of Otasu
Figure 7.2. The Ainu ‘model’ village of Torandomari
Figure 7.3. Colonial modern housing in Otasu
Figure 7.4. A reindeer herd near Otasu
Figure 7.5. Kawamura Hideya teaching a class at the ‘native school’, Otasu
Figure 7.6. Indigenous people hunting marine mammals near Otasu
Figure 7.7. Uilta needle case, early twentieth century
Figure 8.1. Illustration from Charles MacFarlane’s Japan
Figure 8.2. John George Bartholomew, ‘Maps of the Far East, Illustrating Russo–Japanese War’, 1905
Figure 8.3. Memorial for convict labourers near Abashiri
Figure 8.4. The Jakka Duxuni, Abashiri, 2011
Figure 8.5. Uilta embroidery: (above) by Kitagawa Aiko’s Japanese students; (below) by Kitagawa Aiko
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